The Best Fetish Movies of All Time

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If you want to see the most intense sexual scenes possible, watch a fetish movie. A film that makes you feel aroused can be thrilling or frightening. The genre is exploding, but there are plenty of excellent examples of fetish films. Below are a few that will definitely get your blood pumping. In addition to the titles listed above, there are several cult classics that will be sure to titillate and enlighten you.

Gerontophilia

This year's Oscar season has given us a lot of fetish movies, but the recent release Gerontophilia may not be one of them. While the subject matter is subversive, the execution of the movie lacks a certain level of intensity. The acting is stilted, the motivations of the characters are unlikely, and the ending lacks the requisite tension and fallout. Still, Gerontophilia has visually appealing cinematography, especially considering it tends to focus on natural light.

Bruce LaBruce is one of the most prolific and controversial queer filmmakers, and his works often straddle the line between art and porn. In Gerontophilia, he's taken away the extreme eroticism of his previous films and gone mainstream with the story. He's instead turned to soft erotic visuals, in a bid to appeal to a wider audience.

Despite this risky choice, Gerontophilia is a touching, sensitive, and heartbreaking story about same-sex intergenerational love. It's also LaBruce's most mainstream film to date, despite being the auteur of fetish movies and art-porn films. His movie, which had a modest budget of $2 million, is an excellent example of the kind of queer feminism that is prevalent in today's cinema.

While mainstream pornography has generally focused on "taboo" acts, gerontophilia is a sexual preference. LaBruce focuses on this definition to construct a gay romantic comedy. His film showcases the tenderness between Lake and Mr. Peabody, demonstrating that pederastic love is about more than just sexual attraction. It's an expression of the tenderness between young and old people.

Blue Velvet

The cult following of the Blue Velvet fetish movies has risen to new heights with the release of the sequel, Fight Club, which focuses on male violence. David Lynch's script would be nothing without his infamously evocative character, Tyler Durden, who is a figment of the narrator's dissatisfaction with life. It is this dark side of Tyler Durden that leads Edward Norton's character to a dangerous and disturbing encounter with the narrator.

The film explores the traumatizing effects of non-consensual sexual activities. The main characters, Jeffrey and Dorothy, are shifted from victim to perpetrator as the film unfolds. The relationship between Jeffrey and Dorothy is also a symbol of married women seeking love outside of marriage. The esoteric nature of Jeffrey's sexual behaviour is further emphasized by the fact that he is a pervert.

The feminism of the film is often questionable. The movie contains over-the-top sex, violence, profanity, and other perversions that are largely unacceptable for a fetish movie. Nevertheless, the narrator's passion for a woman's body is enough to attract the attention of any viewer. Blue Velvet fetish movies tend to be violent and over-the-top despite their eroticism and sincerity.

A classic example of a fetish movie is Blue Velvet, which has a cult following. Its opening scenes feature a cast of relatively unknown actors and a setting that is the perfect bridge between small-town charm and the town's seamy side. Sandy, meanwhile, wears a sweet pink dress and is dressed as a princess. Several other fetish films have also popped up.

Crash

The genre of fetish movies is exploding and the latest film in this vein is Crash, directed by David Cronenberg. The film depicts car crash enthusiasts who will go to extremes for sex and physical pleasure. In CRASH, the automobile becomes an allegory for modernity, as modern men drove their cars to work. This kink is akin to a primitive destructive modernity, where men become machine-like and sexualized.

In Crash, David Cronenberg creates a sex fetish movie with a twisted storyline. The film is inspired by the 1973 novel by J.G. Ballard and follows the lives of two men who are obsessed with car crashes. Though it was controversial when it was released, a recent video essay shows that the film may be Cronenberg's best. In Crash, sex becomes a form of fetish, and the car crash is the catalyst for a man's sexual fetish.

Cronenberg is a master of subversion. His eerie films have an almost supernatural quality, and he combines his movies with fetishes that aren't typically seen on the big screen. He has created a movie that is both akin to a fetish film and a psychological thriller. Its characters are too bizarre to be accepted in the mainstream, and yet Cronenberg makes sure to surprise us.

The storyline of Crash is bizarre and unsettling, and the cult of car crashes fuels the movie. A married man named James Ballard has an open marriage to his wife Catherine, and enjoys having kinky sex with anyone and everyone, including strangers. However, he gets involved in a head-on collision and is hospitalized. He soon finds himself having car sex with Dr. Helen Remington, who was in the other car involved in the crash.

O Fantasma

"O Fantasma" is an atypical fetish movie that explores the darker side of human behavior. The 2000 Brazilian film, directed by Joao Pedro Rodrigues, is a disturbing portrait of a certain age. The director uses a wide variety of excesses to create a revealing portrait of youth. Though the film isn't particularly violent, the images of sexual desire in this film are deeply disturbing.

This film is a classic example of "art school" porn. It depicts the anonymous sexual encounters of a garbage collector, Sergio. While trying to reject the advances of his co-worker Fatima, Sergio finds himself infatuated with a motorcyclist. While he is working on the job, he begins stalking the motorcyclist in bondage gear and he tries to make love to her using torn Speedos.

O FANTASMA is a dehumanized porno-eroticism that ties gay longing to social disenfranchisement. The film flirts with the line between narrative cinema and pornography, and its bold use of explicit imagery is quite daring. Unlike many "dangerous" fetish movies, O Fantasma doesn't draw a sharp line between reality and fantasy, which inevitably leads to built-in moralizing.

While Sergio is not likable, relatable, or readable, O Fantasma is an extremely intense fetish film. The film's protagonist is a sexy freak, and the author likens him to the animal Lorde. Sergio is the embodiment of unbridled carnality. The nighttime Lisbon cityscape is a landscape of endless sexual possibilities.

The Secretary

The Secretary is a fetish film, but not the typical kind. It's a dark love story that deals with themes that have never been explored in mainstream Hollywood cinema, including sexual dominance and submission. The film also features some great performances, including Maggie Gyllenhaal, who is remarkably impressive in the role of a secretary. She brings a great deal of dignity and dark humour to a role that could have been a minefield.

The movie is based on a true story, a novel by Mary Gaitskill called "Bad Behavior." The plot is slightly different in each film, but they both feature a domineering lawyer named Grey. While Anastasia struggles to understand Christian's need for kink, Secretary's sexual tension grows without any conversation. And since both of these women are recovering addicts, it's difficult to judge whether or not they'll be able to find a new life together.

Lee Holloway's character is very disturbing. Her family is dysfunctional and she struggles to deal with her father's alcoholism. She also has a kit to self-inflict pain, but she's determined to find work. Lee finds a secretary job with a mysterious lawyer, Mr. Grey. Edward Grey is an equally neurotic, sadistic man who uses his power to humiliate Lee. The two develop an odd sexual kinship, one that will last for years.

James Spader has another creepy role in The Secretary. The actor gained fame as a sexual voyeur in Sex, Lies, and Videotape (1989). In this film, he takes the role to new heights. After 13 years away from acting, Spader has become a sex deviant. But despite his reputation as a sexual deviant, he still manages to slay audiences.